Kirby Ferguson suggests in his blog that “Everything is a Remix“. Collecting material, combining it and transforming it are the same skills or methods that are used even if it is the first, second or fifth time it is produced. When I come to think about it there are really not much originality left in new movies, songs or games that we are introduced to us today. Take for example Michael Jackson’s “Wanna be startin’ something*, have we not heard his phrase in a number of songs now? Akon, Rihanna and Glee have all used it to create either a new remix of the song or created content for a musical. This is not illegal, it is just to demonstrate that remixes are produced all the time and that not much is original anymore. What is worse is when material is produced and claimed to be original when it is not, which I have just learned that Led Zeppelin might be responsible for with a lot of their songs.
There is also the music genre; breakcore, or breakbeat hardcore, which is quite unique when it comes to copying and creativity. Breakcore tends to take use of rearranged breakbeats to create new music. The history of breakcore goes back 40 years and roots in gospel, funk, hip-hop, rave, jungle and d’n’b (Whelan 2012).
A breakbeat is a certain part of a song, often a very popular or exceptionally cool part of a song, which is taken out of its original song and used repeatedly and excessively in another. The song *Amen Brother* by Jester Hairstone (1963) has the most used drum sample in the world (Whelan 2012).
At the same time as breakcore broke out, in the late 90’s, filesharing and mp3’s also spurred and the three of them together made a cooperative team! Between 2002 and 2008 filesharing were responsible for 40-60% of all usage bandwith (Whelan 2012). This is of course a huge problem coming to copyrights. I actually find the whole music genre of breakcore a bit infringing! It is weird that there can be a whole music culture out there, producing music based on other artists music, while other people are being asked to remove their content from for example YouTube because a song is being played in the background, unintentionally. Maybe it is a matter of fair use, but I still find the rules a bit blurry and variable. Another thing I thought of, is if Kirby Furguson is right, that everything is a remix, we really ought to rethink our copyright rules.
Whelan, A 2012, Rip/Mix/Burn, lecture, BCM112, Convergent Media Practices, University of Wollongong, delivered 23 April.